A while back this space contained a few words on sweet vermouth. To recap, in the vermouth world, red is sweet, it's rosso, it's Italian. White vermouth is usually dry, and usually called French vermouth.
Noilly Prat is produced in Marseillan, in southern France. The basic wine is produced using white grapes Picpoul de Pinet and Clairette. The wine stays in a huge oaken cask for eight months, then is placed in smaller barrels and put outside for a year. The barrels are then brought inside and the wine rests for a few months, but they're not through yet! Herbs and spices are then added to the wine every day for three weeks.
First produced in 1813 by French herbalist Joseph Noilly, this is the type of vermouth that's used in martinis and other mixed drinks. According to an old joke, it can also left out of the martini to insure the drinks are so dry there's dust in the urinals.
Dry vermouth can also be enjoyed straight up chilled. Try it with a twist of lemon.
The wine is straw-colored with a nose that's somewhat medicinal with honey, almond, nutmeg and pepper showing. It tastes heavily of the spices - pepper, clove and nutmeg all come through strongly on the palate. The 18% alcohol level is quite noticeable.
Noilly Prat is produced in Marseillan, in southern France. The basic wine is produced using white grapes Picpoul de Pinet and Clairette. The wine stays in a huge oaken cask for eight months, then is placed in smaller barrels and put outside for a year. The barrels are then brought inside and the wine rests for a few months, but they're not through yet! Herbs and spices are then added to the wine every day for three weeks.
First produced in 1813 by French herbalist Joseph Noilly, this is the type of vermouth that's used in martinis and other mixed drinks. According to an old joke, it can also left out of the martini to insure the drinks are so dry there's dust in the urinals.
Dry vermouth can also be enjoyed straight up chilled. Try it with a twist of lemon.
The wine is straw-colored with a nose that's somewhat medicinal with honey, almond, nutmeg and pepper showing. It tastes heavily of the spices - pepper, clove and nutmeg all come through strongly on the palate. The 18% alcohol level is quite noticeable.




I had a couple of opportunities to enjoy
The wine is dark at the core and ruby red at the edges with a big nose - and I mean a huge nose - of red fruit and leather. It tastes of smoke and dried cherries, plums and blackberries. The tannins are quite mellow and the alcohol level is 13% abv. It has a big, rich taste which was much appreciated on the cross-country flight. It even tasted great in the plastic cup.

The Art Of Brunch was the title of Sunday's daytime session at the 

The Sommelier Challenge
The Taste of Beverly Hills Event Sommelier Bonnie Graves presided over the competition with a light touch. It was an entertaining event which included panelists David Rosoff from Osteria Mozza, Dana Farner from CUT, Christopher Lavin from XIV, Caroline Styne of AOC and Lucques, Jonathan Mitchell of the Palm, Rebecca Chapa from the Culinary Institute of America, Mark Mendoza of Sona and Comme Ça, and Diane DeLuca from the Estates Group.
The Cabernet was dark ruby in the glass, with a nose featuring black currant, smoke, leather and pencil shavings. It was nice to give my palate something more complex than the samples of the Keystone State wines I had been enjoying thus far. The Cab had a good grip and felt very full in my mouth. Blackberry, blueberry and cassis showed on the very fruit forward palate.
When the waitress inquired about another round, it seemed everyone was in agreement. I stayed with Mondavi and had the Merlot. Medium ruby in color, this wine was not shy either. The nose was a huge fruitfest, with blueberry and cherry coming forth. There was a lot of smoke on the palate here, too, even more than the Cab. The taste of big, dark berries swam around in a setting that resembled a wood fire. The finish was long and luxurious.





